Most Popular Tags

let it go

Only an act of true love will thaw a frozen heart.

Expand Cut Tags

No cut tags
frozenfractals: (positive) hope, abashed (before the monsters caught up to you)
Despite the late hour, Elsa is reluctant to let Jessica go, but she knows she must. Jessica has to get home before Miles realizes she's still gone and worries, and Elsa needs sleep. She's so glad suddenly that she thought to ask for the day off when she knew they'd be going to the lab. She's weary to the bone, but sleep seems impossible just now.

She watches her go, heart fluttering, and she can't stop smiling as she steps back inside, closing the door gently. Anna is waiting, she knows. She's a little — not embarrassed, exactly. Embarrassment requires shame. Bashful. Blushing and bashful and still half floating, she locks the door and turns around.

"I'm sorry. I hope the waffles aren't too cold."
frozenfractals: (positive) mischievous, smug, cheerful (let me in the wall you've built around)
It's impossible to miss the approach of Halloween in Darrow. All Saint's Eve has taken on a new form in this world, one that has the girls excited. Elsa's coaxed all the details from Jessica, of course, which led to the inevitable question of what she and Anna will be doing for the holiday. Obviously they'll have to get candy to give out to the trick-or-treaters. But it seems equally as evident that Anna will want to do some wandering of her own and that, regardless how they celebrate, they'll need costumes.

Elsa isn't entirely sure what she wants to dress up as. It's nothing she's really had to think about before, and she keeps coming up empty as she tries to dredge up ideas. Fortunately, there's an enormous store that seems to be entirely devoted to the holiday. Since they seem to have aisles of costumes, this is where Elsa decides they should start their search.

"Any idea what you want to look for?"
frozenfractals: (negative) (you can evoke the stars above)
It is, Elsa thinks, quite possibly the stupidest thing for her to worry about at this moment in time. What she and Jessica will be doing is much, much more important than what she wears to do it in. Still, if there's a chance they'll be running around, getting into scrapes, helping people in dangerous situations, possibly from dangerous people, then her outfit matters, doesn't it? She can't wear something she can't move comfortably in. It should be protective, too, though, she thinks.

But she doesn't want to wear some kind of head to toe suit like Jessica does. Looking at herself in the mirror, she pulls a face. Even without a mask on — she really doesn't think she wants a mask — she doesn't like it. It's both too constricting and revealing. She doesn't have a problem with showing a little skin, but wearing something that hugs close along her body while still covering her completely seems more immodest than a thigh high slit. Not that it looks bad on Jessica, that's fine, it just isn't for her.

The dress she was wearing when she arrived here is more comfortable, she thinks, turning to look at herself over her shoulder as the ice shifts and flows into a new shape. The cape isn't very practical, though, so that has to go. Neither is the length of the skirt, for that matter. It'll have to go a little higher, then, to keep her from tripping on it.

She's so engrossed in making her decision that she doesn't hear Anna's approach. It's only when she glimpses her sister in the mirror that she realizes she's there, even as she lets out a surprised yelp and stumbles back. "Anna! A little warning, please."
frozenfractals: (negative) fear, anxiety (you are the space in my bed)
Just as Elsa's never been particularly affected by cold temperatures, the heat has never bothered her much either. It's easy to keep a cool shield around herself, to the point that she often didn't realize she was doing it as a child. In the layers she wore, the long sleeves and high gloves, petticoats and drawers and skirts, it was the only defense she had against the heat, and she always regretted her choice to sweat it out instead. It hadn't stopped her from shutting it down, of course. Back then, that just seemed like the only choice, the safer one.

Darrow in June feels like Arendelle in August, in the midst of a particularly hot and humid year. This morning, Elsa notices.

It's too warm to stay in bed. She sits up in her nightgown, blinking blearily, and looks at her hands. Nothing seems different, but when she tries to create cold, nothing happens. She shakes her head a little, frowning, and then stills as her braid falls further over her shoulder.

She only realizes it's hers, though, because that's the only thing that makes sense. Though her hair is blonde, though, this is a deep, rich brown, unfamiliar to her.

At least, that's what she thinks until she stands and looks in her mirror. Her hands rise to touch her hair, slowly, gingerly, but it stays unchanging, a long, dark braid the same shade as her mother's hair. It's so strange to look at herself this way, as if the color of her hair alone is enough to change everything about her appearance. Her color is higher, pink in her cheeks and in her fingers as she unravels the plait, raking her fingers through it.

She doesn't look like herself anymore at all, and she can't begin to understand what's happened. Panic rising in her throat, she turns quickly, hands striking out, and she can see in her mind the long shards of ice that should go shooting from her palms. But they don't.

There's nothing but her, standing alone, chest heaving. Turning her hands over and back again, she stares, shaking her head. "H— but how?" She doesn't know what to make of it except to be confused and lost.

"Anna." It hits her suddenly and she takes off down the hall to her sister's room. If this has happened to her, she needs to be sure nothing has happened to Anna, too. "Anna!"